沒想到是那么重要的伊朗新浪潮導演，澳門影展集中看了關于他童年記憶的“三（四）部曲”。這是第一部，一個簡單粗暴夸張的寓言，用波斯灣小鎮(zhèn)兒童盡可能浮夸的表演，來表現(xiàn)權利和服從的輕易建立。

兒童執(zhí)著于小物件，很典型

2018224 二星還行

已譯中字

macao/ 伊朗邊境 persian和arabic語混雜

Honestly feels a little silly and drawn out. Harmonica through its exchange value becoming a status symbol in a world where children are getting into the roles of power wielding, reminds of Ozu's I Was Born, But..., while that is one small aspect of Ozu's film exploration on patriarchy, here it's the sole focus.