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劇情介紹
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本片于 1951 年 8 月 31 日在德國上映,由沃爾夫?qū)に雇械聢?zhí)導(dǎo)。影片講述了澤西島小鎮(zhèn)造紙廠老板的兒子迪特里?!ず账沽值墓适?。他從小就欺負(fù)弱者,畏懼強(qiáng)者。他害怕權(quán)力并追求權(quán)力。他喜歡給老師做小報告,喜歡看到別人批評。進(jìn)入寄宿學(xué)校后,他與女孩的接觸更多了。當(dāng)他贏得愛情時,他拒絕娶她,因為她有另一個情人,而且他認(rèn)為她不夠純潔。他還獲得了博士學(xué)位。但不是為了就業(yè)或?qū)W術(shù)研究,而是為了追求金錢和權(quán)力。父親去世后,他繼承了父親的職位,成為了造紙廠的老板。他乘勢而上,與自由派、社會民主黨聯(lián)系在一起……《臣仆》是海因里希·曼批判現(xiàn)實主義文學(xué)的代表作。導(dǎo)演試圖通過影片揭示人性。通過巧妙的剪輯和圖像的疊加,對“奴性精神”進(jìn)行了無情的諷刺。當(dāng)我們展示迪特里希·赫斯林的奴性時,我們用上方的攝像機(jī)將他縮小到蛆蟲大小,讓他跪下接近皇帝。在表現(xiàn)他以權(quán)力欺凌他人時,他還用向上的鏡頭將他放大到巨人的大小,生動地描繪了帝國時代卑鄙、卑鄙、害人的德國公民的典型例子。豆瓣評分達(dá)到7分,展現(xiàn)了復(fù)雜的人物關(guān)系和令人難忘的故事情節(jié)。
Der Untertan is the most famous novel by German author Heinrich Mann. It has been translated into English under the titles "Man of Straw," "The Patrioteer," and "The Loyal Subject" (translation by Helmut Peitsch). The title poses a problem for the non-German reader since there is no effective translation of the word 'Untertan' in the sense it was employed by Mann. The 'Subject' of the title conveys a sense of unthinking servility to the state.Although the novel was completed in July 1914, shortly before the outbreak of World War I, it was not published until 1918 (by Kurt Wolff Verlag of Leipzig). After the war, the novel enjoyed considerable popularity, given its critiques of the ultra-nationalism of Wilhelmine Germany."Der Untertan" portrays the life of Diederich Hessling, a slavish and fanatical admirer of Kaiser Wilhelm II, as an archetype of nationalist Wilhelmine Germany. Hessling is unthinkingly obedient to authority and maintains a rigid dedication to the nationalist goals of the German state.Throughout the novel, Hessling's inflexible ideals are often contradicted by his actions: he preaches bravery but is a coward; he is the strongest proponent of the military but seeks to be excused from his obligatory military service; his greatest political opponents are the revolutionary Social Democrats, yet he uses his influence to help send his hometown's SPD candidate to the Reichstag to defeat his Liberal competitors in business; he starts vicious rumors against the latter and then dissociates himself from them; he preaches and enforces Christian virtues upon others but lies, cheats, and regularly commits infidelity.Diederich's ideals: blood and iron, and the might of opulent power, are exposed as hollowness and weakness. Diederich Hessling--the child (and later adult) who acts as an informer, the member of the Neo-Teuton student fraternity, the doctor of chemistry, the paper manufacturer, and eventually the most influential man in town--is a critical allegory depicting German society's increasing susceptibility to chauvinism, jingoism, ultra-nationalism, anti-Semitism, and proto-fascism. His character is often juxtaposed, in both words and appearance to another man of straw: Kaiser Wilhelm II. In one instance, Hessling's behavior and outward appearance move an observer to stammer, 'It almost seems to me...You look so very much like His ...' , meaning the Kaiser.Mann uses the moral bankruptcy and shallow ridiculousness of Hessling's life to critique Wilhelmine German society generally. Like other novels of the period, such as Theodor Fontane's Effi Briest, or even his brother Thomas Mann's Buddenbrooks, the principal target is the hypocrisy of bourgeois society and the risk of social collapse in a nation of loyal 'Untertan' citizens.In East Germany, the book was made into a movie in 1951, directed by Wolfgang Staudte and starring Werner Peters as Diederich Hessling.。
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